Four new cast members will be joining the record-breaking West End production of The Phantom of the Opera, from 31st July at His Majesty's Theatre.
Joining the company are Lily Kerhoas who takes on the role of Christine Daaé, Maiya Hikasa as Meg Giry, Joe Griffiths-Brown as Raoul, and David Kristopher-Brown as Ubaldo Piangi.
The new personnel will join existing cast members, Jon Robyns as The Phantom, Adam Linstead as Monsieur André, Kelly Glyptis as Carlotta Giudicelli, Francesca Ellis as Madame Giry, and Matt Harrop as Monsieur Firmin. Paige Blankson will play the role of Christine Daaé for selected performances.
Kerhoas made her debut in the West End as Cosette in Les Misérables: The Staged Concert before joining the regular Les Mis cast at the Sondheim Theatre. Griffiths-Brown’s previous West End credits include Frozen and Hamilton. Kristopher-Brown first appeared in the popular production in 2007 and now returns after appearing in The Blues Brothers Xmas Special and the hit comedy The Play That Goes Wrong in the West End. Hikasa’s stage credits include roles in both Billy Elliot in the West End and the international touring production of Cats.
Booking & Theatre Info For The Phantom Of The Opera
His Majesty's Theatre is a fairly large and historic West End theatre that has four levels of seating and a capacity of 1231 seats and has recently been renamed following the coronation of King Charles III.
The seating blocks within the venue are quite shallow and feature numerous obstructions due to support pillars, rails, and overhangs from upper levels. Many seats within the venue restrict the view of the famous falling chandelier, however, this scene lasts for just a couple of seconds and some of these seats offer clear views for the rest of the production and can be considered to be good value despite having a 'restricted view' and will suit bargain hunters looking for cheap Phantom Of The Opera tickets and lastminute bargains.
Premium seats in the theatre are located in the centre of the Stalls along with the front rows of the Royal Circle which is an excellent vantage point and guarantees that none of the action on stage will be missed.
Due to the number of seats in the theatre that are labeled as having a restricted view, it is highly recommended to study the seating plan before purchase to survey the severity of the restriction. Seats in the Grand Circle are usually cheaper than the other tiers and there are fewer restrictions in this area. Balcony seats in the fourth tier are very high up and feel quite distant from the stage which is reflected in the price but these may not be suitable for people who suffer from vertigo.